Based on his research of Syrian musical cultures, Jonathan Shannon explores what it means to conduct methodological and ethical research in contexts of turmoil and displacement. In this essay, Shannon considers how the Arab uprisings and the Covid-19 pandemic have affected ethnographic fieldwork in Syria. Shannon argues that adapting to fieldwork during these global challenges has generated a new model of research. This model centers collaboration and coproduction, opening the door for “ethnographic entanglements” to create “new forms of knowledge.”
Jonathan Shannon
Jonathan Shannon is an anthropologist and ethnomusicologist who specializes in the cultural politics of music and the arts in the Arab world and Mediterranean, with a focus on Syria, Morocco, Spain, and the Syrian diaspora in Turkey and Europe. He is the author of Among the Jasmine Trees: Music and Modernity in Contemporary Syria (Wesleyan University Press, 2006), Performing al-Andalus: Music and Nostalgia across the Mediterranean (Indiana University Press, 2015), and a work of fiction, A Wintry Day in Damascus: Syrian Stories (Nawfara Books, 2012). He is professor of anthropology at Hunter College and the Graduate Center, CUNY. Shannon was a recipient of the SSRC’s International Doctoral Research Fellowship between 1993–1994 and 1995–1996.